Teaching Lighting at the NPPA Northern Short Course
I taught two lighting workshops (Lighting on the Run & On Location Portrait Lighting) again at the National Press Photographers Association Northern Short Course held in Warwick, RI, this year. The trip to Rhode Island started off poorly as soon as I realized (after several hours of driving of course) that I left my Macbook at home. I absolutely couldn’t travel without it as I had an assignment edit to complete and needed it to share my images and presentations. My expected 3.5 hour drive to Rhode Island turned into a 10 hour trip as I headed back home to pick it up. I was a bit frazzled to say the least. Once my workshops got rolling I was a much happier camper. I enjoyed making some images of great people while teaching lighting. While banging around shoot ideas for the Northern Short Course I remembered National Guard recruiter Erik Conley and contacted him. About six months ago, I was on assignment for GX Magazine to photograph Erik. We had a great shoot together and I conveniently remembered everything needed for that shoot. He volunteered to be photographed and brought some friends with him.

Portrait of Army Ranger Michael Davis and Rhode Island National Guard soliders Ashley Jones and Jessica Wright.
During my first workshop, Lighting on the Run, I used Nikon SB-800’s and focused on how to light quickly while also using items all photographers have access to including spaghetti boxes for snoots, bedroom sheets, homemade grids and foam core for reflectors. The above image was lit with a Lastolite soft box on Army Ranger Michael Davis and two spaghetti boxes fitted with green and red gels on my new friends Ashley and Jessica. I also use David Honl lighting modifiers when using small strobes and I am a BIG fan of everything he offers. My small strobe bag goes nowhere without his grid spots, labeled gels etc. As I often do during my lighting workshops, I began my exposure in the middle and adjusted to my final image within two stops per flash. I’m a stickler for having complete control of my light. I love Nikon CLS and use it often but with my controlled portraiture I find myself 90 percent of the time using my strobes on manual triggered with pocket wizards.
For my second workshop, On Location Portrait Lighting, we were able to see a different side to the personalities of our military friends Erik and Michael as they showed us how they roll while entertaining the crowd as part of the heavy metal band “Witch Doctor.” I had a blast photographing them as well as Ashley and Jessica. By the time we were done I felt that the best lesson learned was the importance of earning trust and creating a bond with the people in front of your camera. As far as the light goes … we worked hard on trying to forget it. I mentioned several times that as much as it fascinates us at the end of the frame it’s not about the light. It’s about how the picture makes us feel. I also mentioned during my workshops to not be afraid to make mistakes. Things will go wrong. Macbooks needed will be left at home and strobes that fired five minutes before will suddenly not fire. Stay positive and roll with the punches. It’s all part of the journey as we try to grow one flash at a time and make some pictures.










